Learning to See: Finding Foreground

The above photo is from Snowmass Wilderness in Colorado. We spent hour wandering these beautiful hillsides - looking for foreground in a place that offered stunning beauty, but not much foreground. I used the interesting bark of the tree to give the viewer a sense of the texture of the bark. When you know how that papery, white bark looks and feels, you gain a deeper understanding of the place. That's my theory, anyway.
I think that if you can get up close and personal, your brain interprets the image more fully. You start to feel the textures in the bark, the warmth of the sun on your face - you know these sensations, and when you see a photograph, memory mingles with vision to evoke a response. This shot from the everglades in Florida is entirely different from the last one. When you look at a photo, do you take the time to let the sensations of the place sink in? The dry grass crackling underfoot, the wind rattling in the trees, the light filtering through heavy thunderheads. And does the foreground in this shot help draw you in?




Does finding a foreground element and composing an image come naturally to you? Or do you struggle to include foreground details in your photos? Do you have suggestions or tips for other photographers? Comments are always welcome. Maybe others can learn from your experience!
Labels: Composition, foreground, Learning to See
4 Comments:
I am always impressed with Varina's and Jay's sense of foreground. You guys always nail it perfectly. I think most struggle with the foreground elements. I know I do. The one thing I always try, especially in reflection situations is to get low, really low and put my lens really close to my subject. Then I shoot. Once I shoot, I inevitably make small shifts in my location and then shoot some more. I am looking to lead my viewer's eye into my composition. Great post!
Thanks, Jay! :) Great tip! We try to get nice and low too - as close to that foreground object as possible. And like you, I'll often shift my camera a bit at a time until I'm really happy with what I'm seeing through the viewfinder.
You also make a good point about leading the eye into the composition. It's important to make sure that your foreground pulls you in. Sometimes, a foreground object can seem disconnected from the scene - and when that happens, I want to adjust the composition.
We definitely don't always get it right, though. :) Maybe I'll have to post about that sometime.
Hi Varina,
I have discovered you great work via Photoburst. I would be honored if you would join this relatively newly created Facebook group (@ http://www.facebook.com/group.php?gid=232303787793) to promote your work there (please post a link to you website), and invite your friends.
You will also see a few familiar photographer names from Photoburst here !
Thanks in advance !
Best regards, Loïc
Thanks for the invitation, Loïc. I will take a look!
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